I met a one-year-old named Gabriela last night at a play. Like my own son she was unable to sit through
the performance, so we’d assembled out in the hallway with others in the
under-3 set. She was toddling about in
her little leather slippers and soft cotton jammies, clearly pleased to be upright and discovering. As I watched her
stagger, a little dazed, I was reminded of myself, when I rise early and head
to the studio, fuzzy-headed, reluctant, a little fearful even at what awaits,
that it will be nothing, that my brain won’t activate today. I stumble, bleary, in the pre-dawn hours into
the kitchen to begin my coffee-making ritual.
It’s cold. I’m still half in a
tiring dream, still embarrassed about that weird bathroom bit in which I wore
no clothes and was also late to catch my plane but hadn’t yet packed. You call this a Creative Process?
I splash cold water on my face, notice the drunken monkey of my mind, notice the clock and know that if I don’t start I’m in trouble, so I pour my coffee and head to the studio, turn on the lights, crank the heater, and light my incense to invoke the muses.
I splash cold water on my face, notice the drunken monkey of my mind, notice the clock and know that if I don’t start I’m in trouble, so I pour my coffee and head to the studio, turn on the lights, crank the heater, and light my incense to invoke the muses.
I look at my desk greeting me—
And out of nowhere it happens: one little piece sings out, and — Aha! You! I’d forgotten about you. Hello again!
And I give myself a short assignment, maybe just to add a layer of this or
shift a piece here, to see what might happen.
What if?
What If. The question fuels me till I have to wake
L. It’s happened again. Just a small something — I’m amazed at how
much time goes into a one-inch-by-three-inch composition — and maybe it'll never see the red carpet, but I’ve turned a
corner, for today.
For the coming week: keep showing up, and let the muses work their magic.
Prognosis
I
walked alone in the chill of dawn
while
my mind leapt, as the teachers
of
detachment say, like a drunken
monkey.
Then a gray shape, an owl,
passed
overhead. An owl is not
like a
crow. A crow makes convivial
chuckings
as it flies,
but
the owl flew well beyond me
before
I heard it coming, and when it
settled,
the bough did not sway.
—Jane Kenyon
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